OFFSTONE JAN EDITION 2025

36 Closing Tuhan, Izinkan Aku Berdosa is a complex exploration of religion, patriarchy, and gender within a Muslim- majority society. Through the lens of Peirce’s semiotics, the film reveals layers of meaning that critique and reinforce societal norms. Its achievements in cinematic and digital spaces highlight its cultural significance, yet its paradoxical narrative underscores the challenges of balancing artistic expression with ethical responsibility. As a cultural artefact, the film opens vital conversations about the role of religion and feminism in Indonesia, demonstrating the power of cinema to challenge and reflect societal values. However, its reliance on explicit content and sensationalism invites scrutiny, reminding audiences and creators alike of the fine line between critique and complicity. BIBLIOGRAPHY Banet-Weiser, S. (2012). Authentic ™ : The Politics of Ambivalence in a Brand Culture . New York University Press. Bramantyo, H. (Director). (2024). Tuhan, Izinkan Aku Berdosa [Film]. Dapur Film; Tripar Multivision Plus. Available on Netflix with the international title Harlot’s Prayer . Gill, R. (2007). Postfeminist Media Culture: Elements of a Sensibility . European Journal of Cultural Studies, 10(2), 147 – 166. https://doi.org/10.1177/1367549407075898 Peirce, C. S. (1931). Collected Papers of Charles Sanders Peirce . Harvard University Press. Williams, L. (1999). Hard Core: Power, Pleasure, and the Frenzy of the Visible . University of California Press.